Your Equipment Does Not Define You or Your Skills























(originally posted on my Run and Gun Video Blog , but seems not too many people follow that one, so sharing it here)


I noticed my book cover on Amazon along with some of the related ones being promoted (and their covers) which reminded me at the same time of the many postings I’ve seen of people’s equipment. Some nice stuff and some Frankenstein monsters, but the underlying message (despite what was being said) was usually, ‘look at me’.

You know, the guy posts a shot of a whole load of expensive stuff with the caption: ‘off to do a blah-blah shoot’. Since surely nobody cares that he’s off to do a shoot, the obvious intended message is ‘look at all my cool stuff and be envious’.

Now look at the cover above.

That was very deliberately posed. Of course there was a humorous analogy with and throughout the book of the camera being a gun (so the Marlboro man hat and coat forwarded that), but note that the relatively small and unfancy camera is just dangling from the hand as if it were a 6 shooter and he’s off to shoot some vermin on the ranch that are stealing his chickens–or off to the OK Corral  to dispatch Billy the Kid for that matter.

The gun, the camera are tools, they are not the man.

They come out when it’s time to do the job and the pro doesn’t care what you think about them.

They’re taken care of, oiled and cleaned as any professional would treat his equipment, but except for a few of the narcissistic crazies, they don’t sleep with them, pose with them in the mirror or caress them fondly when no one is looking.

They’re just tools.

And look here: The gun that killed Billy the Kid didn’t even have a laser scope on it.



Sony PXW X70, Extreme Low Light Shooting


Sorry to be a bit repetitive. The video linked here is the same on from my last post. But, for an entirely different reason.

I’m posting it in response to an email I just received from Leo Vital.

Here’s the email and my response:

Dear Joe,
…Joe, could you please help me to find the proper settings for rather poorly lighted indoors, when you do not have any way to help it? Lately I was at a Young people gathering and they gathered in a gym size room, with walls painted brown and one was even pitch black. Well now way to light that up 🙂 This was an extreme, but it seems to me that whatever I do, I get rather disapointing outcome, even though while recording it doesnt seem to be that bad. I was trying also recording in the Auto mode, but it was also dissatisfactory. Could you please share with me how you fight the low lighting problem?
Thank you,
Dear Leo,
I’m going to give you a link to a video I just did a few days ago with the Duchess of Rutland who I’ve been doing a bunch of videos for. This one was ‘a day in the life of a duchess’, and as typical with her videos, they are unplanned. I just follow her with a camera with no idea where she’s going or what she’s going to say. In this one, she called me into some dark cellars. The only light (thankfully) was a work light on in an adjacent room where some workers were renovating some toilets. If you watch the footage carefully, you can see me at one point moving my own shadow out of the light path that was giving the only illumination in the otherwise unlit cellar. Even the shot where she went into a portion of the cellar with no light came out ok. And, to answer your question, I was on full intelligent auto. No choice. Even the auto focus on her held pretty good. So, naturally there was some noise in the dark shots as the camera tried to increase iso to give me an exposure. The answer to all of that is NEAT VIDEO. It’s the ONLY video noise reduction program that really works. The price you pay is worth it. Considering the alternative (no usable shots at all in this classic ‘run and gun’ situation), I still got a video product. It was almost as bad as having to shoot ‘a black cat in a coal mine at night’. There are some cameras (more expensive) that can do better than this, but for the price, your camera is pretty damn good. So, have a look:
As a note, I do have a nice little LED light I can slide into the shoe on the top of my camera, and it would have come in handy here. But, I had NO IDEA I was going to be going into the dungeons (and the shoe was occupied, at that moment, by a rifle mic). So, I kept the camera running and crossed my fingers.
The shots in question start at about the 36 second mark. In fact, ALL of those early morning shots early in the video had NEAT VIDEO processing.
(sorry for poor formatting–paragraphs all run together–and video not showing up properly–Wordpress seems to be having a bad night. Will try to fix tomorrow)

You Can’t Polish a Turd….

…But You Can Roll it in Glitter


Sorry, I heard that expression recently and just had to use it.

The point is: Sometimes things don’t go according to plan.

None of the videos shown here were turds really, but I did have some ‘issues’ to do with lighting. So this is really about color correcting and other image handling tools one can use.

As a note, the whole subject of ‘grading’ is popular today, particularly amongst an apparent group of ‘newbies’ who think it’s the next one-button solution to creating a ‘filmic look’. Nothing wrong with hoping for that, but it’s too often evident that they neglected to invest any time into basics such as ‘how to make a movie’. In short, I’m finding those forums a bit annoying. So to be clear, this isn’t really grading. It’s color correction with a couple extra tricks.

So let’s get practical, at least on the corporate video front. It’s simple: You make the guy or girl (or whatever other genders they have these days) look good. THAT’S ALL.

I’ll be covering two different videos I did recently.

On this first one I was having to solve a problem (I thought) of having forgotten my main LED interview lighting kit. Fortunately I had one back-up floor soft box with me and was forced to come up with something with the one light I had along with what was available in terms of room lighting. It was an interview with a Duchess on a tight schedule, so “oops, I forgot my lights…” as an excuse was out-of-the-question.

Needless to say, this was very naughty of me.  It’s just one of those things that can happen so you have no choice but to carry on as if nothing has happened at all and make it all come off anyway.

For comparison, here’s a still from an interview with the Duchess last year in the same location when I didn’t forget where my lighting kit was:

Standard key, backlight and fill and good subject to background contrast ratio. Controlled lighting.


Here’s what I managed more recently when  I only had one light to work with:

Camera Original


Here’s how I polished the turd:

FCPX Color Tools, Colour Finale Pro, CoreMelt’s Vignette Shape Mask


Not as punchy as the first correctly lit sample, but better than the camera original.

First I color corrected it using the FCPX color tools and ColorFinale Pro (to bring up her blue blouse). This was before FCPX 10.4 which can do the same thing.

Then I used a ‘make-up’ program to soften her face (which I typically use on females of her age). Subtle, but nothing she or anyone else would notice. (Someone’s going to ask: I used PixelFilmStudios ‘Skin’ plugin. I don’t buy from them anymore, but I had it and it works well. –Buy from Motion VFX instead)

Finally I used one of my favourite tools, a vignette shape mask from CoreMelt which allows you to completely control the size, shape and density of a vignette. I use it often, even when I have lit the scene to the best of my ability. It allows me to create further contrast from subject to background when I am not able to achieve it satisfactorily on site myself. You can get it here FREE in CoreMelt’s ‘Slice X’ package. Go ahead and get it. You’ll love it. (There’s even a Photoshop style ‘Object Remover’ for video and a few other clever tools). But I guarantee you’ll find yourself using the vignette shape mask often.

Screen Shot: CoreMelt’s Vignette Shape Mask

While that interview was done for several videos, here’s one of them that’s public now:

And here’s the next one:

P.S. (It turns out the LED flexlites were with me the whole time, tucked into an  outer pocket of my camera case for a little shoot I had done recently. (they take up very little room)

Lesson learned: if you’re going to modify your kit bags for a particular shoot, PUT THINGS BACK to where they usually are directly thereafter)

Turd Number Two

Ok, this one was less my fault.

I was at our house in France where we are good friends with our American neighbours Vinx and Jennifer. Vinx is a musician who has performed with many famous musicians from Isaac Hayes to Sting and is currently doing his own thing touring around the world. He’s a vocalist and percussionist. (

Anyway, they got married there in Chalabre last year, part of which was a big concert to thank the town. It was called ‘Night of Serenades’ and featured 20 different acts, professional and amateur, all performing serenades to someone in the audience who was seated in a special chair in the front row and presented with a large bouquet of roses before their serenade. It was so popular that the town asked that it be done again next year (and every year thereafter).

If you’d like to see the short wedding video I did featuring Vinx’s serenade to Jennifer (which took place in the covered market in front of our house), you can watch it here.

So…this years’ Night of Serenades will be over 3 days preceded by a few more days of music related workshops. The venue has expanded to 3 stages across the town and includes serenaders performing from balconies around the town’s main ring road and lots more. It’s a big deal.

So they asked me to do a video to pitch to potential local sponsors.

All I had with me was a Sony RX10ii (a down-version of something like the Sony A7, but a gorgeous camera that happens to have the same sensor as my X70–which is why I bought it). I had no lighting or audio equipment.

Of course we’re sitting in front of a mix board, but Vinx was busy with a deadline and setting up a mic and audio feed was going to be a bit of a problem. Since this was a small distribution video for some local vineyards and other businesses in the seeking of sponsorship, we decided to do the best we could with a little omnidirectional mic Vinx uses on his GoPro cameras.

Original. Overhead fluorescent lighting.


Knowing that I would be using the vignette mask, I moved Jennifer forward so it would look ok with the background being a bit darker.

Similar to the last sample, I used a combination of FCPX’s shape mask and colour tools to correct colour and contrast followed by the vignette shape mask to create some depth to the background while spot lighting the main subject.

Colour Corrected with Vignette shape mask


That, I’m afraid, is an example of ‘run and gun’ Emergency Room procedure. Or, in the U.K., A&E (Accident and Emergency).

P.P.S.  Because I sort of stole the image, those are Unicorn Turds pictured at the top of the page. If you want to buy some, you can get them here:








So how do you do a 60 edit for Instagram of the Duchess of Rutland whizzing around the National Exhibition Centre in Birmingham where she’s been invited to give a 45 minute talk on the Capability Brown landscape at Belvoir Castle–and for which reason her intro, upon alighting from the Bentley, was about just that?

Well, you can’t.

Fortunately, she trusts me, so I axed most of that and picked out a few bits of dialogue to show that the Duchess is a regular person and juxtaposed a few shots with humour for good measure.

The whole Capability Brown thing will be extracted as a separate two-part video.

Apparently, the 60-second thing was seen 500 times the first day on Instagram.

I’m an Instagram neophyte. I have an account registered and that’s about it.

But apparently, it’s the best thing since sliced bread, and almost as good as the promised release of the new FCPX in a few weeks’s time.

No idea what they do with videos on Instagram.

But I’d better start finding out soon, eh? –Cuz I have a few things I’d like people to know about…

Run ‘n Gun Bootcamp in southern France, for example.

Note: When the Duchess mentions ‘the Engine Yard’ at the end, she’s referring to the Belvoir Castle Country Retail Village opening soon, a renovation of the old ‘engine yard’ where the various tradesmen that kept up the castle were based (carpentry shop, etc.) in buildings built in Victorian times.


Using Google Maps in Video Production



Nothing special about this recent video I did (the only footage of mine was the interview; the rest was footage provided by the charity), but it was the first time I ever used Google Maps in a video production.

I was inspired by a link provided by Ryan Nangle, a plugin creator who also does excellent tutorials. In this case, it was how to use Google maps. In his tutorial, he provides the link to his extremely reasonable zoom transition used in the particular tutorial (which I bought for something like $6). It’s not the first transition I’ve bought from him.

For example, the clouds are from FCPX and he shows you how to manipulate those. Literally takes seconds to change the form, shape and density of clouds and fog.

In his example, he even showed a clever trick on how to animate something (a boat on the river in his sample) in the static Google maps image. Very clever stuff.

In this video, I didn’t incorporate the camera-shake effect from FCPX as he did because it wasn’t as appropriate to my purpose as it was in his sample (where it was very effective).

Nevertheless, it gave me a new tool which I was able to use effectively and appropriately in this little video I did for a charity for the purpose of promoting to gap year students. And that was the sole purpose of this video. (to those in the U.S., a ‘gap year’ is often taken by UK students who complete the equivalent of high school before going to university. Usually, they spend a year in another country for cultural or experiential purposes).

As a note, in the original review, I did of the X70 I mentioned the advantage of shallow depth of field (due to the large sensor size) compared with the earlier review of the NX30. The only original footage in this video is the interview itself, and it’s a good example of the shallow depth of field obtainable with the X70. I know many videos cameras more closely approximate the fast lenses of film cameras, but the point is more comparing the price point of the X70 versus the price point of the high-end cameras that emulate high-end film cameras.

So here’s the video. After that you will find the link to Ryan Nangle’s excellent tutorial. In the YouTube description of his video you will find a link to his transition effect used in this video. As a note, he has many useful and clever transitions available, so he’s worth subscribing to.

Here’s the link to Ryan’s tutorial and transition download:


Run ‘n Gun Boot Camp

Chalabre, France

I’m launching a new navigation tab on the Video Whisperer Blog called Run n Gun Bootcamp of which this will be the first entry.

This is following up on my earlier post suggesting the idea and asking for feedback. It seems there are enough people interested to make it happen, so current plans are to do so by Spring or Summer next year (2018).

As the name implies, it will be a video boot camp based on the book Run ‘n Gun Videography–The Lone Shooter’s Survival Guide.

It will happen in Chalabre, France.

This post will be a very short summary of the types of things that I will keep updating and expanding in the new Boot Camp tab. It will include photos of the town, the house you will be staying in, the town’s fascinating history as well as the history and summary of the plentiful activities in the local area as far away as the Mediterranean (only 90 minutes away). We’re in the foothills of the Pyrenees, about an hour from Andorra and Spain and in the midst of Cathar country going back 1000 years. Spotted with Cathar castle ruins (castles built impossibly at the top of steep rocky mountain tops), sprawling with vineyards in one of Frances’ best wine regions, and with rivers, steep gorges, white water river rafting, not to mention mountain trails, skiing, horse-back riding and many social activities happening every day throughout the summer, Chalabre is what many of us here call “Frances’ Best Kept Secret”.

Chalabre itself is a medieval town founded in the late 11th century at the confluence of 3 rivers. Sometime in the 12th century and upriver dam burst and flooded the village. Consequently, the town was rebuilt on top of the old village. It’s interesting to note that when you buy property here there is small print in the contract which says that there ‘is nothing of any historical interest below (your) house”. Sure. Everyone knows the old town is down there.

The advantage of having a boot camp here is that there is SO much to see and do and film at almost any time of year, particularly in the summer.

As part of this new tab, I will create a calendar of events (give me some time as that alone is a huge undertaking) which may help you decide which time of year you’d like to come. Afterall, it will be a bit of a holiday at the same time–not all work and drudgery.

I’ll introduce you to the house which we are renovating and show some before and after pictures of the spaces we have been working on over the last two years. Currently, we are renovating the attic–which is probably where you run and gunners will be staying–though there’s plenty of space elsewhere in the house. It’s all a matter of scheduling this activity along with others that will be happening at this house (such as Air BnB and other events planned here). That’s why I’m sort of reserving the attic for this program. It will be a pretty cool space with two bedrooms and one crash loft along with a bathroom, kitchenette and lounge.

As time goes on I will finalise pricing and options, so feel free to feedback as I start posting all this stuff.

One thing for sure is that couples are welcome even if one of you are not going to be doing the video program. Like I mentioned earlier, it will be a great holiday with a video bonus for you video enthusiasts.

A quick photo tour:



My wife’s steel wire sculpture of fighting stallions greets you on the main road into Chalabre

“Number 10”. That’s the house on the market square where you’ll be staying. Late 1600s. We’ve got a shop on the ground floor to the right behind the bench (which is made of slabs of pine I hauled from Montana)

Attic windows open with wires hanging out (current renovation project)

View from one of the attic bedrooms currently being renovated. At the top of the silhouetted hill to the right sits the ‘chapel on the hill’.

From the chapel on the hill after a brisk 20 minute walk to get there. Chalabre is down below.

One of Chalabre’s roads along the river

Right around the corner from the house are two grocery stores and a butcher shop. (the bakery and another butcher shop around another corner.



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