…But You Can Roll it in Glitter
Sorry, I heard that expression recently and just had to use it.
The point is: Sometimes things don’t go according to plan.
None of the videos shown here were turds really, but I did have some ‘issues’ to do with lighting. So this is really about color correcting and other image handling tools one can use.
As a note, the whole subject of ‘grading’ is popular today, particularly amongst an apparent group of ‘newbies’ who think it’s the next one-button solution to creating a ‘filmic look’. Nothing wrong with hoping for that, but it’s too often evident that they neglected to invest any time into basics such as ‘how to make a movie’. In short, I’m finding those forums a bit annoying. So to be clear, this isn’t really grading. It’s color correction with a couple extra tricks.
So let’s get practical, at least on the corporate video front. It’s simple: You make the guy or girl (or whatever other genders they have these days) look good. THAT’S ALL.
I’ll be covering two different videos I did recently.
On this first one I was having to solve a problem (I thought) of having forgotten my main LED interview lighting kit. Fortunately I had one back-up floor soft box with me and was forced to come up with something with the one light I had along with what was available in terms of room lighting. It was an interview with a Duchess on a tight schedule, so “oops, I forgot my lights…” as an excuse was out-of-the-question.
Needless to say, this was very naughty of me. It’s just one of those things that can happen so you have no choice but to carry on as if nothing has happened at all and make it all come off anyway.
For comparison, here’s a still from an interview with the Duchess last year in the same location when I didn’t forget where my lighting kit was:
Here’s what I managed more recently when I only had one light to work with:
Here’s how I polished the turd:
Not as punchy as the first correctly lit sample, but better than the camera original.
First I color corrected it using the FCPX color tools and ColorFinale Pro (to bring up her blue blouse). This was before FCPX 10.4 which can do the same thing.
Then I used a ‘make-up’ program to soften her face (which I typically use on females of her age). Subtle, but nothing she or anyone else would notice. (Someone’s going to ask: I used PixelFilmStudios ‘Skin’ plugin. I don’t buy from them anymore, but I had it and it works well. –Buy from Motion VFX instead)
Finally I used one of my favourite tools, a vignette shape mask from CoreMelt which allows you to completely control the size, shape and density of a vignette. I use it often, even when I have lit the scene to the best of my ability. It allows me to create further contrast from subject to background when I am not able to achieve it satisfactorily on site myself. You can get it here FREE in CoreMelt’s ‘Slice X’ package. Go ahead and get it. You’ll love it. (There’s even a Photoshop style ‘Object Remover’ for video and a few other clever tools). But I guarantee you’ll find yourself using the vignette shape mask often.
While that interview was done for several videos, here’s one of them that’s public now:
And here’s the next one:
P.S. (It turns out the LED flexlites were with me the whole time, tucked into an outer pocket of my camera case for a little shoot I had done recently. (they take up very little room)
Lesson learned: if you’re going to modify your kit bags for a particular shoot, PUT THINGS BACK to where they usually are directly thereafter)
Turd Number Two
Ok, this one was less my fault.
I was at our house in France where we are good friends with our American neighbours Vinx and Jennifer. Vinx is a musician who has performed with many famous musicians from Isaac Hayes to Sting and is currently doing his own thing touring around the world. He’s a vocalist and percussionist. (Vinx.com)
Anyway, they got married there in Chalabre last year, part of which was a big concert to thank the town. It was called ‘Night of Serenades’ and featured 20 different acts, professional and amateur, all performing serenades to someone in the audience who was seated in a special chair in the front row and presented with a large bouquet of roses before their serenade. It was so popular that the town asked that it be done again next year (and every year thereafter).
If you’d like to see the short wedding video I did featuring Vinx’s serenade to Jennifer (which took place in the covered market in front of our house), you can watch it here.
So…this years’ Night of Serenades will be over 3 days preceded by a few more days of music related workshops. The venue has expanded to 3 stages across the town and includes serenaders performing from balconies around the town’s main ring road and lots more. It’s a big deal.
So they asked me to do a video to pitch to potential local sponsors.
All I had with me was a Sony RX10ii (a down-version of something like the Sony A7, but a gorgeous camera that happens to have the same sensor as my X70–which is why I bought it). I had no lighting or audio equipment.
Of course we’re sitting in front of a mix board, but Vinx was busy with a deadline and setting up a mic and audio feed was going to be a bit of a problem. Since this was a small distribution video for some local vineyards and other businesses in the seeking of sponsorship, we decided to do the best we could with a little omnidirectional mic Vinx uses on his GoPro cameras.
Knowing that I would be using the vignette mask, I moved Jennifer forward so it would look ok with the background being a bit darker.
Similar to the last sample, I used a combination of FCPX’s shape mask and colour tools to correct colour and contrast followed by the vignette shape mask to create some depth to the background while spot lighting the main subject.
That, I’m afraid, is an example of ‘run and gun’ Emergency Room procedure. Or, in the U.K., A&E (Accident and Emergency).
P.P.S. Because I sort of stole the image, those are Unicorn Turds pictured at the top of the page. If you want to buy some, you can get them here: http://tetragrammatron.com/unicornturds.html
Forgot your rodie lights, eh? Well, i haven’t had to polish THAT particular turd exactly (yet), but I shudder at the time(s) over the past x years that I have had to live with the “high fidelity” of reference audio from an interview. No excuses…sometimes it just happens for whatever reason…Kinda brings tears to my eyes as I recall when i REALLY had to learn EQ and de-verb techniques…
Oh, and I have had to do more color correcting that I ever have color grading…
Sometimes it gets pretty lonely in that edit suite after a big shoot…but I won’t tell if you don’t…