Free Book Offer: Run ‘n Gun Videography–The Lone Shooter’s Survival Guide

Run 'n Gun Videography

I’ve decided to enrol in KDP Select which gives me some promotional options including making the book available for FREE for 5 days.

So that’s what I’m going to do.

I’m doing it for two reasons.

  1. I’m locked into KDP select for 90 days during which period the book can only be available on Kindle. So that gives me a sort of deadline for making the book available in soft cover and putting it on other platforms. I can’t promise it, but it’s a good target for me because I’m going to be pretty busy before then anyway. Plan is to update it and make it available in hardcover next fall.
  2. Though the book has sold a few hundreds copies, it’s only gotten about a little over 30 reviews between the UK and US markets. They’re all good reviews, but I’d like to see a lot more reviews.

The Free Download Offer is NOW LIVE on Amazon and runs through Sunday.

I hope that most of my subscribers here who don’t have it yet will take the opportunity to download it.

In exchange I have a humble request: Please review it on the Amazon page once you’ve read it.

US Amazon Link

UK Amazon Link

Available world wide.

Using Photographs in Video

(From the Run and Gun Videography blog, for those of you who don’t follow that one). Thought I’d repost it here as I haven’t posted anything in a while (super busy!)

Belvoir Castle's Capability Brown Landscape thumbnail

Nothing revolutionary here, but I haven’t posted in a long while.

This could be titled ‘Making a Silk Purse Out of a Sow’s Ear’.

It’s Spring here in England, but with cold weather lingering, Spring has been struggling to arrive.

The gardens at Belvoir Castle are open now and the Duchess of Rutland wanted to promote them in a timely fashion–that is, promote them to potential visitors.  There’s another good reason to promote these particular gardens. This is the 300th anniversary of the birth of England’s most famous landscape architect–Lancelot ‘Capability’ Brown (who designed the landscapes of over 170 of England’s mosts famous estates) and Belvoir Castle was his last project. It was never realised while he was alive and never completed.

A few years ago his plans were found in the Castle archives and the Duchess of Rutland set out to complete them. It was the subject of a 3 hour television show here in England last Autumn, and now that it’s Spring and the gardens are open, it’s the perfect time to promote them as such.

But Spring has been stubborn in it’s arrival, so there would be no live footage of the beautiful gardens and landscape.

What to do?

I suggested to the Duchess that we use the photographs from her book on this very subject and update the video later with live footage that I can take over the next few months.

Now that it’s done I don’t think I’m going to do it, because I like this video the way it is. So I’ll probably just do another video using some of this interview material and other bits I didn’t use.

Very often I make a video that exceeds my own expectations, given the production circumstances. This was one of them.

There’s not really much to say about how to use photographs in a video. Many go for the ‘Ken Burns’ effect. I just manually animated them very simply. The real trick is choosing the right photo that helps forward the narrative.

There are two other things that make it a good video in my opinion. All these techniques and approaches are covered in detail in the Run ‘n Gun Videography E Book (centering around message, of course), but in this case–since it was really only an interview and still photos, the strengths were lighting to make her look good in an appropriate environment (her home at Belvior Castle) and music.

The lighting is what it is. 3 lights used judiciously in a large space. But in this case it was the music that really did it’s job. In the book I covered the subject of using ‘stock music’. The trick is to make it appear to have been specifically scored for this specific video. Music has the role of forwarding the messages as much as any other technical subject does. Too many people just tack on music for no reason and to no advantage. I won’t go over my procedure in detail here (that’s covered in detail in the book), but I would like you to note how the subtle shifts of music sync up to the narrative and pictures being shown. That’s the real magic as far as I’m concerned. Because that composer had no idea that his music would be used for this video. Yet I think anyone would be hard pressed to think that it was not. How this is done, I’m afraid you’ll just have to read the book.

Sorry for the shameless promotion, but this blog is meant to be a supplement to the book anyway.

For anyone interested in the Capability Brown story, several months ago I did another video. This time it featured your truly, the Video Whisperer.

It’s a fund-raising video and I really thought it should be done by an English person–but that got too complicated, so in my brash American approach to getting things done, I said, “well fine, I’ll do it myself”…

By the way, the sculptor Laury Dizengremel, is my wife. The statue has, since this video, has been cast in bronze on our dime. So if you’d like to contribute ANY amount–whether you’re an Engishman or just a follower of the Video Whisperer, any donations will be appreciated. Just go to to the link at the end of the video to donate a tuppence or two.

Run ‘n Gun Music Video?

Abi Moore

 

(from the Run and Gun Videography Blog)

Well, normally one wouldn’t promote this sort of thing. After all, it takes quite some time and planning to do a music video…

But, as Abi Moore remarked, ‘if you want something done fast, ask a busy person”.

I’m not always this busy, but in the week before a trip planned to the US, I found myself with 3 scheduled shoots and one edit that absolutely had to be done before I left.

Then Abi messaged me urgently.

She needed a music video by the end of the month (when I would be gone).

She had sent me the song. A very nice song, though a sad Christmas song as it were.

I asked for the lyrics, got them, glanced it over and said, ” Come on over tomorrow. We’ll shoot you singing the whole song whilst driving a few times and then some more at our neighbor’s Steinway piano, a few additional shots in town, throw something together and see if we need anything else to polish it off.

So we did just that one evening.

For the night scenes I used the Sony HXR NX30. All hand-held, of course, though I utilised a bean bag on the car’s dash for most of the car shots.

For the piano scenes I used the NX30 and the X70; X70 on a tripod and the NX30 handheld.

And, for the first time ever, I found it necessary to add stars to a shot using an FCPX generator and FCPX color controls and shape masks to take down the white sky to a darker gray.

Also, for the first time ever, I added snow to a shot, using the Pixelfilmstudios plug-in. Two layers of snow–the foreground layer to which I added yellow as if lit by the foreground yellow light from the doorway. That was surprisingly easy.

Who says you can’t produce a music video in a couple of days cheap as chips?

You’ll be the first to see it as I’m only publishing it here.

(Best to watch in full HD, as it’s a rather sad–and therefore somewhat dark Christmas story.)

Lie Back and Think of England

 

The campaign to create a life-size statue commemorating the 300th anniversary of Lancelot ‘Capability’ Brown’s 300th birthday is now officially live!  Capability Brown Statue Crowd Funding PageCapability Brown Statue Campaign

This is my first crowd funding video.

Its purpose is to raise the funds necessary to create a life-size bronze statue of Lancelot ‘Capability’ Brown, England’s most famous landscape architect. It has been said that English landscape architecture is one of England’s greatest contributions to world culture and it is, indeed, Capability Brown who is behind the meaning of that sentiment. Yet, unlike his French counterpart Andre Le Notre who has statues, busts, paintings and engravings all over France, Capability Brown is without similar recognition in the UK. No busts. No statues. Only two paintings, one of which is in a private collection.

The video tells the story, but since this is the Video Whisperer blog, I thought I’d fill you in on some details behind the making of this video.

My wife Laury Dizengremel is a sculptor and is also the artist-in-residence at Belvoir Castle. Two years ago the last known plans of Capability Brown were discovered in the Castle archives which were supposed to have been his crowning achievement. They were started, but never completed due to the financial problems of the 4th Duke of Rutland. So the current (11th) Duchess of Rutland decided to have a go at completing those plans as part of her legacy.

She called in Alan Titchmarsh, England’s pre-eminent gardening expert, TV personality and author to help her and both embarked on a two-year program to execute the first phase of planning resulting in a 3 part national TV program which recently aired in the UK.

Laury found herself immersed in all of this and asked the foremost expert on Capability Brown, historian John Phibbs  (who was also part of the process) if there were any statues of Capability Brown. “No”, was the answer.

Some weeks after the dust settled from all the filming activities and airing of the program –and after we ourselves found a break in our own activities, Laury decided that she was going to take it into her own hands and get the funds raised to finance a life-size bronze statue of Capability Brown to gift to the nation.

For that she wanted a crowd funding video. And she wanted it that afternoon.

I said, ‘whoa Nelly–I’m pretty good, but not THAT good”.

And I explained the sorts of things that are necessary to pull off such a thing. Such as “who are we going to get to be the presenter for it THIS AFTERNOON?” and other small details like that.

I only knew of one person–one of her daughters, who sounds as English as they come, but she wasn’t available. And I wasn’t willing to find and hire a presenter. So I thought about it for a couple of hours during which I came up with a rough draft of how I might want it to go.

The more I got into it, the more I thought, “well, hell, I’ll just do it.”

So the next morning I got up early, walked off into the English fog and shot the whole video.

I had the job of explaining who Capability Brown was, why he deserved a statue in this, the 300th year of his birth, why an American was giving the pitch, and why a French sculptor with an American accent was going to create the statue for the people of England. That’s a tall order, isn’t it?

Here’s the crowd funding page with the video.

http://www.crowdfunder.co.uk/capability-brown-sculpture?tk=6bcf1b28fded861304ae3c52399f092b038cc06c

For £100 your name will be added to the plaque at the base of the statue–which will be the first ever statue of England’s of the man who came to define the natural landscaping that has been one of England’s greatest contributions to world culture. Pledges from £25 upward to £15,000 are available, each with a perk listed on the website.

I hope some of my faithful Video Whisperer Blog subscribers will help us make this possible with a pledge of £25 or more.

Please donate.

Thank you,

The Video Whisperer

A Good Corporate Video Sample

corporate video

(from the Run and Gun Videography Blog)

The Lone Shooter: One day shoot, 2 day edit

I think this is a great example of a corporate video combining many of the chapters of Run ‘n Gun Videography–The Lone Shooter’s Survival Guide including:

  1. Message
  2. Using local talent
  3. Interviews
  4. B roll
  5. Music

The Message

The message is clear by the content of the narrative (which was distilled from about 40 minutes of interview), but also by choice of B roll. Yes, the use of relevant B roll shots is standard in editing this type of interview, but additionally there are shots in there one might not realise are important–unless you are in this business and know what you are looking for. And for those potential business clients, they will have seen what they are looking for: the top tier German machines in use at the plant. That’s why you see their names prominently in some of the shots.

Local Talent

As to local talent, in this case we used the co-managing directors who are brothers.

To my surprise, it was the younger brother (who appears first) who was the most put off by the camera. In fact, in looking at the footage I noticed his head appeared to be physically straining away from the camera as if to get as far away from it as possible. Correspondingly, there was a lot more to edit in his interview (pauses, ums, ahs, stumbles, etc.), all of which is hidden under the B roll. The end message of the video, however is carried entirely by him. And there’s a reason for that: He was asked the magic interview question at the end. I pointed out that they had a very successful and growing business in a niche market and that they had been at it for a very long time, growing all along the way. “So”, I asked him, “What makes you get up in the morning? What is your passion for this business?” (or words to that effect). His response is entirely uncut. I let it roll even despite a few long pauses because it was so obvious that he was completely sincere. And his message was in perfect alignment with the message of the video in its whole.  Who wouldn’t then want to do business with this guy?

B roll

It might appear, in some cases, that the B roll was shot after the interview to fit so nicely with a few bits that were being said, but no. It was all shot first. But I shot so much that I was able to fit shots very nicely to what was being said as if I had shot it afterwards or to a script.

Music

I must have spend an hour and 1/2 looking for a suitable piece of music for this video. Thanks to the search parameters of Audio Jungle (and now Audio Blocks) which allowed me to search for a pretty exact length, I was able to preview dozens of potential fits. Then I found this one. To my absolute amazement, I laid it down and didn’t have to do a thing to it. No editing. No adjusting. It’s entirely uncut. It fits the beginning and end titles, and, if you listen carefully, it even does several things along the way that would convince you that it was scored specifically for this video.

I liked this music so much that when I was editing a promo video for my sculptor wife I had it in the back of my head to see if it would work. Turns out the same thing happened. It just dropped right in as if it was written for that video too. That’s one magical piece of music.

Other Notes

It was a one day shoot and two day edit.

For those interested, it was shot on the Sony PXW X70 in AVCHD mode.

The interview lighting was done with 2 LED Flexlites which I reviewed in this blog. The ‘kick’ you see on the side of their faces would appear to be from the background windows, but was actually created by one of the Flexlites dialed way down. The frontal fill was another Flexlite opposite the backlight. Fill was simply ambient light in the room with the intensity of the key light being set to achieve a 2 1/2:1 contrast ratio with the ambient fill.

Edited on FCPX. Color balanced with Color Finale.

Oh, and did anyone notice I added the sky, clouds and sunbeams to the opening shot? (it was a lousy day in Leicester that day)

The following video was directed and produced by Leapfrog Marketing (Alan Myers – 0116 278 7788) in association with The Video Whisperer.

And just for a bit of fun, here’s the video I did for my wife with the same music:

Sony PXW X70–How the 60mbps codec performs compared with the 100mbps AX100 in 4K

I thought I’d share this post from the Sony PXW X70  Shooters Facebook page which contains a significant piece of information on the X70s 60mbps versus the 100mbps of other 4K cameras. The difference that hasn’t been covered until now is the difference between the XAVC-L professional codec (which is new) versus the XAVCS codec. Here’s the post in full:

Some may know that I did some tests comparing/contrasting the AX100 4K 100 mbps XAVC-S and the X70 4K 60 mbps XAVC-L. These tests were of virtually the same footage shot at the same time and projected in 4K onto a 15-foot screen in a high-end 4K color grading suite here in Los Angeles. In the opinion of two cameramen and two colorists present (one of them the senior colorist), while both cameras looked excellent, the X70 images looked slightly superior. They definitely graded better.

There have been various discussions about why Sony didn’t put 100 mbps in their professional camera but did so in the consumer version. Briefly, the two codecs are significantly different and the professional codec performs better.

I just received this word from Sony’s X70 product manager regarding possible future 100 mbps in the X70: “We are working on that, but have not clarified whether or not whether it is technically feasible to incorporate 100Mbps. It is different from those of consumer FDR-AX100 and other models.”

As a note, I’ve been so busy I haven’t yet upgraded my own X70 to either the latest firmware or the 4K upgrade–something I hope to get to in the next week or so. -Joe

SD Card Deals–“If it’s too good to be true…”

Counterfeit SD cards

(Originally published on the Run ‘n Gun Videography Blog.)

I’ve always used SanDisk cards and never, ever had a problem in the 5 or 6 years I’ve being using digital equipment.

Also, I generally get the highest rated cards in terms of speed and bit rate for the equipment I’m using.

One is tempted when making SD card purchases to find a really good deal.

BUT, if what you find seems too good to be true, it probably isn’t true.

Here’s a story about SD card counterfeiting

As you will see, the counterfeited cards look identical. And where you’ll find these great deals is on eBay, Amazon or similar sites.

Sony PXW X70 4K Firmware Update Available

Well, it’s here.

This is the link . Sony V2.00 Update

Here are the exact instruction on how to install the update: V2.00 update procedure

There are several reports that, in combination with FCPX’s last update, you can now natively import XAVCL into FCP.

This update does not automatically give you 4K.  There’s another step (purchase) which hasn’t been made very clear at this date, but I’m sure we’ll find out soon. However, if you want to record in XAVCL right now, you can.

18 June 2015

Ok, here’s the latest on the 4K update with a rebate available to the US market.

X70 4K Firmware Update

And here’s the link for obtaining and activating 4K. X70 4K Upgrade Key

And this comment from the FB X70 User Group regarding a rebate for early adopters of the X70:

 The 4K upgrade is here! It’s easy to install and Sony has the loyalty program. The box will have a sticker that tells users to visit a webpage where they get contact info for POSC…. gives you ‘inside’ access and can help you upgrade in 5 – 10 minutes. Sony wants to show their appreciation to early adopters of the PXW-X70 camcorder: End-user purchasers of PXW-X70 who took delivery of their product on or before March 31, 2015 and who purchase a CBKZ-X70FX 4K license key between June 15, 2015 and August 31, 2015 are eligible to receive a $300 mail-in rebate from Sony!

Sony PXW X70–AVCHD vs XAVC-L, Some Sobering Thoughts

4k-Ultra-HD1 Like everyone else I was intrigued by the possibility of shooting 4K when I bought the X70 (4K upgrading coming out in June at a cost).

I say intrigued. It’s not that I really needed to shoot in 4K. When the 4K upgrade does come out, I’ll be interested to know if it has any improving affect on the camera’s native 1080 HD resolution by reason of the software. Otherwise, I’m not very inclined to go that way.

Here are the sobering facts:

1. To shoot in 4K you will have to use the Sony SxS Pro+ cards (not the SxS-1 or SxS Pro cards) and for that you’ll need a reader/writer than can take them. Or, as one commenter said, get and use an Atmos Shogun  4K recorder/monitor or something similar for about £1500/$2200.

2. The 64 GB SxS Pro + card costs over £600 or $900 and will get you 32 minutes of record time (or less by some reports).

3. The 128 GB SxS Pro+ card costs about £800 or about $1200 and will get you an hour of record time (or less).

4. There is now a free plug-in for FCPX that will allow you to import off an SxS card, but the expenses don’t end there…

5. You’ll need high-end graphics cards and a 4K monitor. Your MacBook Pros and iMacs won’t handle the image processing without making you go mad. You’ll need the Mac Pro which was built for 4K. PC users will have similar hardware issues, particularly for graphics cards.

So what about these SDXC cards we all bought? Well, they’re good and they’re fast and you CAN record XAVC-L on them if you want to, but why bother if your output is HD? Is there some small advantage? Apparently there is if you’re into minutiae, but in the scheme of things I don’t think there’s any discernible difference or advantage–except your files will be larger.

Unless you’ve got money to burn, stick with HD. It will be years before the prices on 4K equipment and media become affordable for most, and for that to happen, 4K will have to be all the rage. And that may never happen except in a small niche group of producers.

On the other hand, as another commenter pointed out, if you shoot in 4K for regular HD export, that gives you a host of advantages in post production (image cropping, stabilisation without image size loss, etc). Some blogs are suggesting that clients are requesting 4K shoots for HD export. It gives the option of later re-issuing the same video in 4K.

The question remains for X70 users, will we be able to record 4K at 60mbps on an affordable SDXC card and edit using proxy files? It remains to be seen.

As I said in the original X70 review, if you want a 4K camera, don’t get this one. Get one that’s already ready.

When it is ready, I hope I will have to eat my words–‘cuz I think I’ll want to start shooting in 4K for 1080 HD export.

 

‘Run ‘n Gun Videography’ — Amazon reviews

Run 'n Gun Videography

 

Some newsy stuff.

The video review of the Sony PXW X70 completed its journey from page 26 on a Google search to the number 1 video spot in just under 2 1/2 months. Still annoyed by the couple of sound faults in that video but strangely in just under 17,000 views to date, no one has complained. That’s good because that was a 26 hour upload on a tenuous internet connection.

Run ‘n Gun Videography–The Lone Shooter’s Survival Guide has now been out 5 weeks, with 125 copies sold. New territory for me. Not sure how that rates. Here are the reviews so far:

 

This book is an amazing find! It is one of those rare gems 5 Feb. 2015

By WisePurchaserPublished on Amazon.com

Format:Kindle Edition|Verified Purchase

This book is an amazing find! It is one of those rare gems that occasionally crosses one’s path, if at all. I say this because the author has distilled a wide assortment of complex issues related to videography into one easy-to-understand source. The author, Joe Caneen, is a veteran videographer with years of industry experience – 30 years and counting, in fact. Yet, unlike many seasoned authorities of this caliber who usually get locked into trade convention or spout out-of-reach techno jargon, Mr. Caneen is refreshingly unpretentious and accessible. So, if you are a beginner videographer who values a didactic approach that fuses intellect with common-sense, that balances artistic technique with practicality, then the good spirits of fate have led you to the right place. Read this text! Learn the many nuggets of wisdom contained within! And you will most assuredly thank me later.

By Kenneth Mullinge

Format:Kindle Edition|Verified Purchase

I’ve just finished reading Joe’s book and I have to say I found it very enjoyable and easy to read. He points out a number of things that I found very useful, the single main point which he makes (and I will not describe here) was more than worth the cost of the book alone. Definitely buy this book if you are interested in becoming a better videographer.

Kenny M

5.0 out of 5 stars

A no-nonsense book stuffed full of very good advice and tips 16 Jan. 2015

By J. J. Robertson

Format:Kindle Edition|Verified Purchase

A no-nonsense book stuffed full of very good advice and tips. Joe Caneen really knows his trade and gets straight to the point with his writing. I wish I’d read this book years ago instead of learning the hard way by making lots of mistakes!

5.0 out of 5 stars

The most inspiring video teacher I have found! 6 Jan. 2015

By Justin OpinionPublished on Amazon.com

Format:Kindle Edition|Verified Purchase

I have waited patiently… oh who am I kidding, I’ve never been patient about anything! But I’ve waited for this book to be finished because – well, because I had no choice. But Joe (The Video Whisperer) was kind enough to share snippets of the text on his blog site during the process, and that helped.

Let me preface (what, preface has to be at the top?), okay then let me just say that I have not read the full finished work as yet and am reviewing it anyway. I don’t normally do that – but want to give full disclosure to it. I do feel qualified to offer you my opinion now because I have read so much of it already, and am familiar with the work of this expert craftsman. Joe, from what I’ve learned over time, has spent a career behind the camera in many types of productions. The kind of work where you get one chance to get it right, and that’s it. And even if you can take a second try at it – it comes at a high cost. You don’t have a long and rewarding career if you don’t excel at meeting those objectives.

Good quality cameras are readily available now on nearly every budget level. But if you want to get beyond “point it that way and hit the red button” skill level, you need advice and insight. And The Video Whisperer is the best I’ve found. In part, I freely admit, because I just like him. His personality and easy communication style are very relaxing and familiar. And I find that with that relaxed feeling, my mind is much more receptive to the information being given.

I make videos on YouTube – mostly about the shooting sports and guns in general, so I was not only not offended by the many gun references, I enjoy them. If you are of a different opinion on that topic, don’t fret – the book really is about cameras and how to use them. The analogies are just too easy, and I think quite entertaining. I mention that I make videos because my point is that I fumble at it, and I struggle with it. The improvements I have made have come largely from the inspiration and information from The Video Whisperer – whom I discovered accidentally by watching his review of a Sony camera (that I ultimately purchased and use). The quality of his work in that review left my jaw on the table, and I’ve been hooked since.

If you have a passion, just an interest, or simply a need to learn more and improve your skills with video cameras, I can’t recommend this book enough. What I think you will receive from it above all is INSPIRATION!

5.0 out of 5 stars

This Should be a Required Text for Video and Film Students!! 18 Jan. 2015

By M. RajaPublished on Amazon.com

Format:Kindle Edition|Verified Purchase

I am not a videographer or a photographer, but do need some help in taking nice pictures of my orchids. Years ago, Joe had given me some basic suggestions about photography and, having internalized them, I have often found myself using those basic techniques even when taking pictures with my iPhone camera. This book, thus, provides a whole wealth of practical and conceptual explanations that would be useful for all those who enjoy filming or hope to launch a professional career as cameramen/women or as film-makers.

I found it especially refreshing that the author first provides the fundamental and core concepts about larger practices (Read Chapter 2 as a great example of this) and then builds on that: this is what we do in our literary studies classes, where we encourage our students to learn the basics first and after that performing complex tasks becomes easier. It seems Joe has given his audience a kind of how-to-book that explains, beyond technique, the how and why aspects of the craft of videography!

This book will be highly useful to all those studying film or film production at college level and I, for one, am certainly going to recommend it as a possible text to the film department at my university!!!

5.0 out of 5 stars

Concrete advice for solo videographers 22 Jan. 2015

By MatthewPublished on Amazon.com

Format:Kindle Edition|Verified Purchase

Great read on fundamentals and advanced techniques of a solo videographer’s world. Easy to read and filled with practical info on lots of topics: gear choice, marketing yourself and your videos, interview tips, editing, what to charge for your services…. Written very conversational and witty, this book kinda feels like sitting down with a trusted mentor sharing his wisdom.

5.0 out of 5 stars

Brilliant book from an authentic working professional explaining the concepts and mechanics of invisible camerawork 11 Jan. 2015

By Miklos NemethPublished on Amazon.com

Format:Kindle Edition|Verified Purchase

Absolutely worth every penny. The book has general “life philosophy/wisdom” as well as videography/cinematography/photography (concepts) sections, and specific detailed technical chapters, too. The main advantage of reading a book like this is that it comes from the pen of an authentic/original source, a professional videographer who has been earning his family’s bread for decades on videography. On a couple of videography forums I found a number of excellent comments, but I wanted a book that you can read from page one to the end covering practically every aspects of videography.

4.0 out of 5 stars

Good honest book about videography with tips earnt with experience. 12 Jan. 2015

By cheekysaffer

Format:Kindle Edition|Verified Purchase

I am one of those people who watched the Sony NX30 camera reviews on YouTube a while ago looking for a new camera.

The first thing I noticed when watching the video was that Joe seems very sincere and it was obvious that he has years of experience in the video and film industry. I am just starting up my video production company and it was very assuring to hear that you don’t need to have a really expensive camera to be professional. Although I did spend £4k on a second hand one which I wanted….

I visit thevideowhisperer YouTube channel from time to time and this is how I learned that Joe has now written a book on the subject of videography.

I just bought this today and finished it tonight. Its a good honest book that really strips down the whole professional videography subject into core chapters. Its filled with really good advice that you can tell was earned in the field.

As I don’t have any professional paid experience yet, I was looking for this kind of book. Anything that can help me produce better quality videos for my future clients and possibly help to prevent me making silly mistakes is worth the asking price of this book.

As someone who is about to leave an engineering career to do what I always wanted to do, its good to find that extra little inspiration from a real professional in the game.

A good easy read, highly recommended for people who are thinking of going pro.

 

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