The Accidental Wedding Video

Vinx is a world class musician with a long and colorful history. From his website.  “VINX has recorded and toured with some of the music industry’s greatest icons: Stevie Wonder, Sting, Herbie Hancock, Sheryl Crow, Branford Marsalis, Ernie Watts, Taj Mahal, Ricki Lee Jones, Darius Rucker, Vance Gilbert, Cassandra Wilson, Brenda Russell, Cher and numerous others.  His songwriting credits are a long list ranging from Tom Jones and Will Downing to The Lion King and Sprite™”.

Anyway, Vinx moved to Chalabre, France last year, two doors down from our house, joining a growing group of talented people including my wife, sculptor Laury Dizegremel and others. We, along with the Mayor, are taking actions to ‘put Chalabre on the map’, i.e., make it a destination. There are good reasons for that, but in short, this area is ‘France’s best-kept secret’. It’s ‘the other southern France’.

For brevity, I won’t say much more than that except that I have been accumulating footage of all of the extraordinary things that happen around here, including the things that are not far from here (the Med is a 90 minute drive through one of France’s best wine regions, we’re 40 minutes from skiing, an hour from Andorra and Spain, surrounded by Cathar castles mounted impossibly on steep rocky mountain tops–and much more, not to mention a perfect climate).

Vinx’s wedding was just one of those things I wanted to get some footage of. It took place at the chapel on the hill that looks down over Chalabre, a view featured in the opening shot of this video (night for day shot–a gorgeous daytime time lapse made to look like night–sort of). I planned to go and shoot some clips for my eventual promotion video for the area. And I planned to go to the concert he organized afterward in the covered hall in front of our houses.

Because I was meanwhile busy with renovations, I didn’t realize there was a connection between the two.

The concert was called ‘A Night of Serenades’ whereby musicians would perform and dedicate a song to someone sitting in a chair in front of the stage. There were about 20 serenades. Vinx’s serenade to Jennifer was to be the last. But by then the front chairs, including the chairs of honor, were full of crowd, so I organized a chair for Jennifer to be put on stage. By then I decided I’d do my best to cover Vinx’s serenade and use it to be the soundtrack for a short wedding video, weaving the two performances together.

And so it was that I came to shoot an accidental run and gun wedding video.

It was shot on September 3rd and edited on September 4th.

No prior planning except for an 11th hour idea.

No audio out of a mix board which didn’t exist. Because my hand held camera would be moving around, I put my Zoom H2 in front of the stage and hoped for the best. Not getting what I hoped for I improved it as much as I could with the iZotope RX 5 audio editor (the best) and some FCPX Eq tools.

Poor lighting in both locations But I only used Neat Video on 3 shots. Otherwise the Sony PXW X70 performed well enough at +32db.

It’s only 5 minutes long, and given the circumstances, a bit unique.

 

 

 

 

Just An Fashioned Music Video

Just an old-fashioned music video–sans modern transitions, etc.

In all fairness, I have used some of the modern transitions when appropriate, but I am generally not a fan of the current craze–or any fad for that matter.

But that’s not really the point of this post.

In actual fact, this music video isn’t finished yet. There’s another location shoot to do, but that won’t be until summer’s end, so for the benefit of the singer, we’ve decided to release it as-is and update it later.

The point of this post really is that I used quite a number of plug-ins for this. Probably more than in any other video I’ve produced.

John Belew’s ‘Lens Filter’ pack contains a number of very useful filters, but the one he’s got in there that I don’t think anyone else has is a ‘fog filter’. Strange that it’s so rare. In the early days of Hollywood it was pretty common and used mostly for shooting close-ups of the female stars. To get the effect the cameraman would use vaseline on the lens or stretch a stocking over it. Eventually, Tiffen made a series of fog filters which I used myself on occasion. In this video it is kind of obvious what the fog filter effect is.

For grading I used a combination of Color Finale and the FCPX color board. I often use them together.

One of my most useful tools is Core Melt’s Vignette Shape Mask which you can get free from that link. It’s a powerhouse vignette tool that has infinitely variable parameters. In this video I used it to partially mask some of the background shots so that the slow dissolve transitions to the singer wouldn’t be as jarring.

Everything else was done from within FCPX.

It was shot with a Sony PXW X70 in 4K and output to 1080.

The performance was shot with 2 cameras (Sony X70 and Sony RX10ii) over 3 different takes to obtain the different angles.

Holly (the singer) did an almost flawless lip-synch to her studio recording every time.

The edit was done as a multi-cam edit in FCPX.

Looking forward to completing it early September after a sunset shoot on the rocky coast of southern England.

Comment on Lighting and Grade

Someone asked if I could comment on the lighting in the comments.

Well, it was simple, but also interesting for me this time. By simple, it was an upstage key (flexi LED panel snooted with black foil) and a more or less opposing backlight (also a flexi-LED)  set to create that soft rim on the side of her face. Truthfully that backlight could have been a stop less bright. It was all rather slap-dash. The fill was simply ambient bounce from the room. No supplementary fill needed.

By ‘interesting’, I mean this: I knew it was a white room and I knew I wanted to go for low-key lighting (two things that don’t normally go together well). Fortunately I could shutter the windows and knew that I’ve have to flag the hell out of the key and backlight. In each case I used back foil to create a ‘snoot’ that restricted the light to a very narrow band. Of course that still gives off enough bounce to illuminate the white walls. So in post I just took the mids way down on the FCPX colour board. Nothing fancy. Didn’t affect the highlights and was adequate to considerably darken the white walls which had been reduced to mid-tones due to the flagging off the light sources in the room.

The other thing that was a bit of fun was creating the ‘day-for-night’ look on the exteriors. Again, nothing really fancy, but normally I don’t have any reason to do that (doing corporate videos), so it was fun. I used the FCPX day-for-night effect as a start and adjusted it’s parameters. I then supplemented the effect with Color Finale with which I increased the saturation of and reduced the luminance of the blues.

Incidentally, those exteriors were shot on the RX10ii which I was using for the first time on a production. Bit of a no-no because I never really fully tested it in video mode. Maddeningly I could not get it into total manual in the very brief period of time we had at dusk. As a result, I was getting exposure correction that I didn’t want and, since I couldn’t figure out how to fix it, I was trying to trick the meter. Anyway, it was a disaster, but the main point is that most of those shots were OVER-EXPOSED! Even so, I was able to fix it in post to the look that I wanted.

And now, of course, I know how to put the camera into total manual. Nothing like near-disaster to inspiring one to read the manual a little more carefully.

 

Free Book Offer: Run ‘n Gun Videography–The Lone Shooter’s Survival Guide

Run 'n Gun Videography

I’ve decided to enrol in KDP Select which gives me some promotional options including making the book available for FREE for 5 days.

So that’s what I’m going to do.

I’m doing it for two reasons.

  1. I’m locked into KDP select for 90 days during which period the book can only be available on Kindle. So that gives me a sort of deadline for making the book available in soft cover and putting it on other platforms. I can’t promise it, but it’s a good target for me because I’m going to be pretty busy before then anyway. Plan is to update it and make it available in hardcover next fall.
  2. Though the book has sold a few hundreds copies, it’s only gotten about a little over 30 reviews between the UK and US markets. They’re all good reviews, but I’d like to see a lot more reviews.

The Free Download Offer is NOW LIVE on Amazon and runs through Sunday.

I hope that most of my subscribers here who don’t have it yet will take the opportunity to download it.

In exchange I have a humble request: Please review it on the Amazon page once you’ve read it.

US Amazon Link

UK Amazon Link

Available world wide.

Using Photographs in Video

(From the Run and Gun Videography blog, for those of you who don’t follow that one). Thought I’d repost it here as I haven’t posted anything in a while (super busy!)

Belvoir Castle's Capability Brown Landscape thumbnail

Nothing revolutionary here, but I haven’t posted in a long while.

This could be titled ‘Making a Silk Purse Out of a Sow’s Ear’.

It’s Spring here in England, but with cold weather lingering, Spring has been struggling to arrive.

The gardens at Belvoir Castle are open now and the Duchess of Rutland wanted to promote them in a timely fashion–that is, promote them to potential visitors.  There’s another good reason to promote these particular gardens. This is the 300th anniversary of the birth of England’s most famous landscape architect–Lancelot ‘Capability’ Brown (who designed the landscapes of over 170 of England’s mosts famous estates) and Belvoir Castle was his last project. It was never realised while he was alive and never completed.

A few years ago his plans were found in the Castle archives and the Duchess of Rutland set out to complete them. It was the subject of a 3 hour television show here in England last Autumn, and now that it’s Spring and the gardens are open, it’s the perfect time to promote them as such.

But Spring has been stubborn in it’s arrival, so there would be no live footage of the beautiful gardens and landscape.

What to do?

I suggested to the Duchess that we use the photographs from her book on this very subject and update the video later with live footage that I can take over the next few months.

Now that it’s done I don’t think I’m going to do it, because I like this video the way it is. So I’ll probably just do another video using some of this interview material and other bits I didn’t use.

Very often I make a video that exceeds my own expectations, given the production circumstances. This was one of them.

There’s not really much to say about how to use photographs in a video. Many go for the ‘Ken Burns’ effect. I just manually animated them very simply. The real trick is choosing the right photo that helps forward the narrative.

There are two other things that make it a good video in my opinion. All these techniques and approaches are covered in detail in the Run ‘n Gun Videography E Book (centering around message, of course), but in this case–since it was really only an interview and still photos, the strengths were lighting to make her look good in an appropriate environment (her home at Belvior Castle) and music.

The lighting is what it is. 3 lights used judiciously in a large space. But in this case it was the music that really did it’s job. In the book I covered the subject of using ‘stock music’. The trick is to make it appear to have been specifically scored for this specific video. Music has the role of forwarding the messages as much as any other technical subject does. Too many people just tack on music for no reason and to no advantage. I won’t go over my procedure in detail here (that’s covered in detail in the book), but I would like you to note how the subtle shifts of music sync up to the narrative and pictures being shown. That’s the real magic as far as I’m concerned. Because that composer had no idea that his music would be used for this video. Yet I think anyone would be hard pressed to think that it was not. How this is done, I’m afraid you’ll just have to read the book.

Sorry for the shameless promotion, but this blog is meant to be a supplement to the book anyway.

For anyone interested in the Capability Brown story, several months ago I did another video. This time it featured your truly, the Video Whisperer.

It’s a fund-raising video and I really thought it should be done by an English person–but that got too complicated, so in my brash American approach to getting things done, I said, “well fine, I’ll do it myself”…

By the way, the sculptor Laury Dizengremel, is my wife. The statue has, since this video, has been cast in bronze on our dime. So if you’d like to contribute ANY amount–whether you’re an Engishman or just a follower of the Video Whisperer, any donations will be appreciated. Just go to to the link at the end of the video to donate a tuppence or two.

Run ‘n Gun Music Video?

Abi Moore

 

(from the Run and Gun Videography Blog)

Well, normally one wouldn’t promote this sort of thing. After all, it takes quite some time and planning to do a music video…

But, as Abi Moore remarked, ‘if you want something done fast, ask a busy person”.

I’m not always this busy, but in the week before a trip planned to the US, I found myself with 3 scheduled shoots and one edit that absolutely had to be done before I left.

Then Abi messaged me urgently.

She needed a music video by the end of the month (when I would be gone).

She had sent me the song. A very nice song, though a sad Christmas song as it were.

I asked for the lyrics, got them, glanced it over and said, ” Come on over tomorrow. We’ll shoot you singing the whole song whilst driving a few times and then some more at our neighbor’s Steinway piano, a few additional shots in town, throw something together and see if we need anything else to polish it off.

So we did just that one evening.

For the night scenes I used the Sony HXR NX30. All hand-held, of course, though I utilised a bean bag on the car’s dash for most of the car shots.

For the piano scenes I used the NX30 and the X70; X70 on a tripod and the NX30 handheld.

And, for the first time ever, I found it necessary to add stars to a shot using an FCPX generator and FCPX color controls and shape masks to take down the white sky to a darker gray.

Also, for the first time ever, I added snow to a shot, using the Pixelfilmstudios plug-in. Two layers of snow–the foreground layer to which I added yellow as if lit by the foreground yellow light from the doorway. That was surprisingly easy.

Who says you can’t produce a music video in a couple of days cheap as chips?

You’ll be the first to see it as I’m only publishing it here.

(Best to watch in full HD, as it’s a rather sad–and therefore somewhat dark Christmas story.)

Lie Back and Think of England

 

The campaign to create a life-size statue commemorating the 300th anniversary of Lancelot ‘Capability’ Brown’s 300th birthday is now officially live!  Capability Brown Statue Crowd Funding PageCapability Brown Statue Campaign

This is my first crowd funding video.

Its purpose is to raise the funds necessary to create a life-size bronze statue of Lancelot ‘Capability’ Brown, England’s most famous landscape architect. It has been said that English landscape architecture is one of England’s greatest contributions to world culture and it is, indeed, Capability Brown who is behind the meaning of that sentiment. Yet, unlike his French counterpart Andre Le Notre who has statues, busts, paintings and engravings all over France, Capability Brown is without similar recognition in the UK. No busts. No statues. Only two paintings, one of which is in a private collection.

The video tells the story, but since this is the Video Whisperer blog, I thought I’d fill you in on some details behind the making of this video.

My wife Laury Dizengremel is a sculptor and is also the artist-in-residence at Belvoir Castle. Two years ago the last known plans of Capability Brown were discovered in the Castle archives which were supposed to have been his crowning achievement. They were started, but never completed due to the financial problems of the 4th Duke of Rutland. So the current (11th) Duchess of Rutland decided to have a go at completing those plans as part of her legacy.

She called in Alan Titchmarsh, England’s pre-eminent gardening expert, TV personality and author to help her and both embarked on a two-year program to execute the first phase of planning resulting in a 3 part national TV program which recently aired in the UK.

Laury found herself immersed in all of this and asked the foremost expert on Capability Brown, historian John Phibbs  (who was also part of the process) if there were any statues of Capability Brown. “No”, was the answer.

Some weeks after the dust settled from all the filming activities and airing of the program –and after we ourselves found a break in our own activities, Laury decided that she was going to take it into her own hands and get the funds raised to finance a life-size bronze statue of Capability Brown to gift to the nation.

For that she wanted a crowd funding video. And she wanted it that afternoon.

I said, ‘whoa Nelly–I’m pretty good, but not THAT good”.

And I explained the sorts of things that are necessary to pull off such a thing. Such as “who are we going to get to be the presenter for it THIS AFTERNOON?” and other small details like that.

I only knew of one person–one of her daughters, who sounds as English as they come, but she wasn’t available. And I wasn’t willing to find and hire a presenter. So I thought about it for a couple of hours during which I came up with a rough draft of how I might want it to go.

The more I got into it, the more I thought, “well, hell, I’ll just do it.”

So the next morning I got up early, walked off into the English fog and shot the whole video.

I had the job of explaining who Capability Brown was, why he deserved a statue in this, the 300th year of his birth, why an American was giving the pitch, and why a French sculptor with an American accent was going to create the statue for the people of England. That’s a tall order, isn’t it?

Here’s the crowd funding page with the video.

http://www.crowdfunder.co.uk/capability-brown-sculpture?tk=6bcf1b28fded861304ae3c52399f092b038cc06c

For £100 your name will be added to the plaque at the base of the statue–which will be the first ever statue of England’s of the man who came to define the natural landscaping that has been one of England’s greatest contributions to world culture. Pledges from £25 upward to £15,000 are available, each with a perk listed on the website.

I hope some of my faithful Video Whisperer Blog subscribers will help us make this possible with a pledge of £25 or more.

Please donate.

Thank you,

The Video Whisperer

A Good Corporate Video Sample

corporate video

(from the Run and Gun Videography Blog)

The Lone Shooter: One day shoot, 2 day edit

I think this is a great example of a corporate video combining many of the chapters of Run ‘n Gun Videography–The Lone Shooter’s Survival Guide including:

  1. Message
  2. Using local talent
  3. Interviews
  4. B roll
  5. Music

The Message

The message is clear by the content of the narrative (which was distilled from about 40 minutes of interview), but also by choice of B roll. Yes, the use of relevant B roll shots is standard in editing this type of interview, but additionally there are shots in there one might not realise are important–unless you are in this business and know what you are looking for. And for those potential business clients, they will have seen what they are looking for: the top tier German machines in use at the plant. That’s why you see their names prominently in some of the shots.

Local Talent

As to local talent, in this case we used the co-managing directors who are brothers.

To my surprise, it was the younger brother (who appears first) who was the most put off by the camera. In fact, in looking at the footage I noticed his head appeared to be physically straining away from the camera as if to get as far away from it as possible. Correspondingly, there was a lot more to edit in his interview (pauses, ums, ahs, stumbles, etc.), all of which is hidden under the B roll. The end message of the video, however is carried entirely by him. And there’s a reason for that: He was asked the magic interview question at the end. I pointed out that they had a very successful and growing business in a niche market and that they had been at it for a very long time, growing all along the way. “So”, I asked him, “What makes you get up in the morning? What is your passion for this business?” (or words to that effect). His response is entirely uncut. I let it roll even despite a few long pauses because it was so obvious that he was completely sincere. And his message was in perfect alignment with the message of the video in its whole.  Who wouldn’t then want to do business with this guy?

B roll

It might appear, in some cases, that the B roll was shot after the interview to fit so nicely with a few bits that were being said, but no. It was all shot first. But I shot so much that I was able to fit shots very nicely to what was being said as if I had shot it afterwards or to a script.

Music

I must have spend an hour and 1/2 looking for a suitable piece of music for this video. Thanks to the search parameters of Audio Jungle (and now Audio Blocks) which allowed me to search for a pretty exact length, I was able to preview dozens of potential fits. Then I found this one. To my absolute amazement, I laid it down and didn’t have to do a thing to it. No editing. No adjusting. It’s entirely uncut. It fits the beginning and end titles, and, if you listen carefully, it even does several things along the way that would convince you that it was scored specifically for this video.

I liked this music so much that when I was editing a promo video for my sculptor wife I had it in the back of my head to see if it would work. Turns out the same thing happened. It just dropped right in as if it was written for that video too. That’s one magical piece of music.

Other Notes

It was a one day shoot and two day edit.

For those interested, it was shot on the Sony PXW X70 in AVCHD mode.

The interview lighting was done with 2 LED Flexlites which I reviewed in this blog. The ‘kick’ you see on the side of their faces would appear to be from the background windows, but was actually created by one of the Flexlites dialed way down. The frontal fill was another Flexlite opposite the backlight. Fill was simply ambient light in the room with the intensity of the key light being set to achieve a 2 1/2:1 contrast ratio with the ambient fill.

Edited on FCPX. Color balanced with Color Finale.

Oh, and did anyone notice I added the sky, clouds and sunbeams to the opening shot? (it was a lousy day in Leicester that day)

The following video was directed and produced by Leapfrog Marketing (Alan Myers – 0116 278 7788) in association with The Video Whisperer.

And just for a bit of fun, here’s the video I did for my wife with the same music:

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